For Mac OS Xįrom a Finder window or your desktop, locate the image file that you want to use.Ĭontrol-click (or right-click) the file, then choose Set Desktop Picture from the shortcut menu. Right-click on an empty area on the desktop, select "Properties" in the context menu, select the "Desktop" tabĪnd select an image from the ones listed in the scroll window. (the "Browse" buttons or select an image in the viewer).
Right-click on the desktop, select "Personalization", click on "Desktop Background" and select the menu you want To select another image stored on your PC, select “Image” In any case, you will find yourself in the same place. You can select “Personalization” in the context menu.
Click the on-screen Windows button or press the Windows button on your keyboard.
The clip is thus not only the first external artistic input for The Day, but also emphasizes the European idea that this band lives - and that one listens to in their music.How To Install new background wallpaper on your device For Windows 11 In this context, their great video for "Yet To Come" marks an exception, perhaps even a turning point: for the first time, they gave the artistic direction for a The Day output out of their hands to the Finnish-French director Lumi Lausas, whom they held in high esteem. Both the recordings and the production were done by them, only the drum tracks were recorded by musician friends. Loeters and Sonnenberg did all this almost alone. They can be tender and hard as well as abstract, and it's this broad range of skills that makes their album so extraordinary and so good. With "Berlin" the band dares to do more rock and more reverberation and reminds here most clearly of The xx, and so it goes on and on: The Day are sometimes poppy, sometimes serious, sometimes out of place. "Grow" with its funky synth pop is a flawless hit, while songs like "Yet To Come" or "Island" with their refreshing, reduced postpunk open references to heroes of the Warpaint price range or the blessed The Organ.
"Midnight Parade" has everything you could wish for on an album from this style conglomerate: A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as great sound bursts and artistically contextualizing interludes. Now they have arrived at "Midnight Parade", and the rich sound and style variety of this LP underlines a respectable development in ambition and skill, which generally only bands can show, who have been working on themselves diligently and for years. Two EPs were released gradually moving them from folk and indie pop to postpunk, dream and synth pop. Their style developed steadily and over several years, while the two collected further residences in their biographies and finally landed in Utrecht and Hamburg respectively. Loeters and Sonnenberg once met as students at the Hogeschool voor de Kunsten in Arnhem, the Netherlands, and quickly began making music together. In addition, the music expresses utopia as well as melancholy in its escapism and thus refuses to be interpreted in an overly fixed way.Īs confusing as it may seem to read, "Midnight Parade" also sounds as vibrant. This is continued in the songs by themes that connect and contrast the private and the political as often as possible.
An international long-distance constellation meets an almost celebratory pan-European idea of unification (which sadly can't be emphasized too often in recent months). The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore, which allows for Lo-Fi moments in production.